Joel Gordon.
Artist in Residence at Shillim
Medium: Audio Recordings
Year: 2016
At Shillim, Joel created several recordings across the landscape and over the course of the day. A particularly vivid example of the dynamic sounds he recorded was the dawn chorus, as the forest animals wake up in the morning. From pre-dawn stillness to the full emergence of morning, the soundscape unfolds as a continuously evolving structure. There are moments of sudden collective intensity—like a “fader” being raised—followed by shifts in species dominance and density. Certain elements, such as the steady presence of junglefowl, provide continuity, while others enter in layered succession. The result resembles a symphony without a conductor, governed instead by the interrelationships of the forest species.
Integral to Joel’s practice is a commitment to high-fidelity listening as an ethical gesture. The use of sensitive recording equipment in remote environments allows for the capture of spatial depth, subtle textures, and proportional balance within the ecosystem. Fidelity becomes a form of respect—an attempt to preserve not just sound, but the relationships embedded within it. By sharing these recordings, listeners are invited into immersive auditory experiences that might otherwise remain inaccessible.
Notably, some of the most compelling audio moments for Joel occurred when human sounds exist in ecological proportion: distant temple music woven into a dawn chorus, or the faint traces of a wedding carried across miles. These instances do not disrupt but integrate, revealing a balance in which human presence is one layer among many.
Joel’s recordings from Shillim are held at the Cornell Lab of Ornithology.

The recording resembles a symphony without a conductor, governed instead by the interrelationships of the forest species.
